Category Archives: Fantasy

Review: Ryk Spoor’s Phoenix Rising

Phoenix RisingRyk Spoor’s epic fantasy, Phoenix Rising, is unique in a lot of ways. For one thing, it is tied into several of his other works (most notably, Digital Knight/Paradigms Lost). If you’ve read some of his other books, it’s neat to see how things are connected.

The story seems simple enough, at its base: a young woman sets out in pursuit of justice after the murder of her family. The twists and turns, the betrayals and friendships are what make the story stand out, even as the richness of the universe is what makes the whole series worthwhile.

The world he created is full and rich with both characters and places, with a history and mythos that has as much to do with the story as the present day actions of characters. Most impressive, in some ways, is how real some of his characters seem based upon their motivations and actions, no matter how outlandish they are in other ways.

My favorite, I must confess, is Poplock Duckweed, an intelligent toad. Whereas other heroes in the book have superhuman strength, magical weapons, or arcane might, or even some combination thereof, Poplock makes due with his wits and his slight size.

One reason I like Ryk Spoor’s fantasy books is that the heroes are men and women (and toads) who take a stand for what they believe in. They go out and confront evil. While this might seem simplistic, it isn’t to say there aren’t all levels of other characters, good, bad, and everything in between. Against the dark and gray characters, his heroes shine all the brighter. To top this off, the humor and action are both top notch and the story is complex enough to keep you guessing right up until the end. If you haven’t read Ryk Spoor’s Phoenix Rising, you definitely need to pick it up.

Ryk Spoor’s Phoenix Rising

Kyri: a highborn young woman whose life is shattered by the murder of her kin. But even as Kyri flees her beloved land Evanwyl, she knows that she is her family’s only hope for justice, and Evanwyl’s only chance to escape a growing shadow of corruption and destruction.

Now Kyri must venture across Zarathan, a world on the brink of a long foretold Chaos War. It is a struggle that may usher in a long age of darkness— that is, if Kyri and her companions do not succeed in holding back the tide of evil that is rising. Those companions include valiant swordsman Tobimar Silverun, Prince of Skysand, exiled on the turn of a card and a prophecy, who is now seeking his people’s lost homeland; and Poplock Duckweed, an unlikely hero whose diminutive size is as much a weapon as it is a weakness.

Kyri’s quest is as simple as it is profound: find a legendary ancient weaponsmith, take up the sword and armor of a new order of warrior defenders, and bring the power of justice and vengeance to the evil and corruption that has darkened her native land.

Wrath of the Usurper Snippet One

Here’s the first snippet from Wrath of the Usurper, coming on 30 May!

Tarjak Rusk

Seige of Boirton

15th of Pargan, Cycle 1000 Post Sundering

Tarjak pushed the slave girl to the side and snarled, “Food, drink, now!”

As the young woman crawled away, Tarjak smiled. She was a soft, southern thing, one of their nobles that his men had captured or so she had claimed. He, of course, had claimed her and it had not taken long to break her to his will. It had given him a unique feeling of power to take a proud and arrogant woman and make her into an abject slave. It was something he rather enjoyed.

“Tarjak,” a soft voice spoke nearby, “Hard at work, I see.”

Tarjak whipped to his feet with the speed and grace which had made him his clan’s chieftain. His sword in hand, he confronted the shadowy figure who stood at the end of his fur bedrolls. His blade lowered, though, as he recognized the hooded figure who clutched at a staff. “Oh,” Tarjak grunted, “It’s you… my Lord.” It grated on him to say the last, but he knew better than to deny the wizard his due. Tarjak knew well that he owed much of his own position and power to the other man.

Xavien gave Tarjak a smile, “If you are busy, I could always come back.” The softness of his voice didn’t fool Tarjak. It was as much a rebuke as if he had slapped Tarjak in the face.

Tarjak knelt, “My apologies, I am fully at your command, my Lord.” He felt sweat break out on his forehead and his back tingled in anticipation of pain. Xavien’s favorite tools were fear and pain, Tarjak knew. It was part of why he was so effective at gaining the loyalty of his fellow Semat Armen… those were some of the only techniques they respected.

“Good,” Xavien’s dark eyes went to the slave girl, “I don’t mind that you find ways to pass the time here in the south… but the time has come to end this siege, before it costs you too much.”

“What?” Tarjak asked. “But, we’ve taken so much loot, so many slaves, and many stockpiles of food. Why withdraw now?” Even as he said it, he realized his mistake.

Green energy lanced out and Tarjak dropped to the ground, his teeth clenched on a scream. As an Armen warrior, he knew pain, both how to give it and how to take it. As the chieftain of his clan, he knew that his survival required he not show any sign of weakness… and shrieking like a girl as the green energy seared his flesh was not something that would make him appear strong.

“Tarjak…” Xavien shook his head and ceased his torment. “My main complaint about your people is how you don’t have any tact… I fear I will have to break you to get you to show courtesy… and then you would be of no more use than the girl there.” Xavien chuckled a bit, “Though I’ll admit, I’d find you more attractive than her. At least you’ve some muscle on you.”

Tarjak tasted blood from where his teeth had torn the inside of his lips. He also smelled scorched hair and had little doubt that his skin would show the effects of Xavien’s attack in broad scorches and pain that would last for weeks. He rose to his knees again, though, and waited silently, either for more punishment or for his master to speak. To do otherwise would just bring worse.

“However, since you clearly didn’t understand me and no doubt you’ll have to argue down your tribesmen, I’ll tell you why.” Xavien leaned on his staff and Tarken could see that the wizard actually looked tired. Which means something wore him down, Tarjak realized with shock. Over the years that he had known Xavien, Tarjak had seen at least a dozen shamans challenge the wizard only to die, often in painful or embarrassing fashions. None of them, to include the most powerful shamans of the Semat, had been able to give him pause. If something had worn him, tired him… it must be a terrible foe indeed. Tarjak wasn’t quite certain whether to hope the foe had defeated his master or been defeated. While my fate is tied to his… I hate him enough to hope for his death, he thought, and I would go to the spirits a happy man to know he had been brought low.

“The Duchy of Boir has begun to re-consolidate,” Xavien said. “Though no one force is strong enough to face your entire army, as yet, it is only a matter of time. Also, your blow here has embarrassed them and shamed their military. Better for you to withdraw before they have some opportunity to gain even a minor victory against your men to give them hope.” Xavien paused and Tarjak nodded slightly to show that he understood. “Then, too, I’ve another task for my Noric allies and a very important task for some of your warriors when you reach the Lonely Isle… that is Nasar Ind as your people call it.”

“War with Hall Prakka?” Tarjak asked eagerly. While fighting the soldiers of Boir was enjoyable enough, the mercenaries and soldiers of Hall Prakka were more likely to fight in close combat and less reliant upon magic and deception. It felt more pure, somehow, to engage in that manner of war. Plus, he liked the mixed blooded women of Nasar Ind. They had spine and stubbornness. He had once captured a powerful priestess there… and he still remembered with pleasure how long it had taken his shamans to break her… and how he had used her body in that time.

“That is coming, yes. For now, I just want some of your more eager and disposable warriors,” Xavien said. “Men who will throw themselves at the enemy because they think themselves invincible,

Tarjak smiled, “You want fodder.” He thought of the young, eager warriors who always caused him problems and were most likely to challenge his authority. “I can give you those, my Lord.”

“Good,” Xavien said. “They will act as your rear guard… and I suspect they’ll take the highest of your casualties. I want you to take your finest warriors with you in the first movements. Leave the Norics to me… and make certain that your most reckless and bloodthirsty warriors are at the back.”

Tarjak nodded, even as he thought of how that would affect his people. They had always sent the most reckless warriors into combat first, to thin their numbers and to give the survivors combat experience. It also let more experienced warriors survive to face the enemy feeling well-rested and ready. This would be no different, save that his best and most loyal tribes would be the first to leave. They would be able to take most of the supplies from the raid camps at Nasar Ind. The other tribes, when they reached there, would have to forage or raid for supplies to make the final voyage to their homeland in the north. Also, as summer departed, the northern seas would grow more and more dangerous. Whatever forces trailed the furthest back would not only lose more warriors to the enemy… they’d lose many men to the seas.

Probably lose the iron ships, too, he thought darkly. He had been forced to leave those ships in the hands of the tribes who had seized them… for now. He had one as well, but the southerners had recaptured it. It embarrassed him that his sloop, once the largest among the Semat Armen was now tiny in comparison to the three iron ships that some of the other chieftains held. Still, they had taken terrible casualties in capturing those ships. Still, if those tribes lost the iron ships on the rough seas, at least the southerners wouldn’t have them. “I’ll see to it all, my Lord.”

Xavien gave him a final nod, “Good.” The wizard turned away, headed for the tent door. Over his shoulder, he spoke, his voice soft, “Soon the time will come when your people will claim these lands.”

Tarjak nodded, though in reality he didn’t want his tribe to live in these soft lands. The had already become sluggish and soft in the siege. He looked over as the slave girl brought him a tray with a glass of southern wine and slices of meat. Tarjak gave her a friendly smile as he took the tray. He reached out a hand and brought her to her feet.

Tarjak could feel the rapid, nervous beats of her heart, as fear worked through her veins. Tarjak’s smile turned ugly as he brought his sword up, under her ribs. The woman let out a gurgling shriek and Tarjak felt hot blood gush over his arms. He smiled as she sagged, a look of shock and terror on her face. “Why…” she gasped.

“You were a good slave,” Tarjak said. “But you saw too much. Besides, you are to soft to bear my seed… and I know you are pregnant and I’ll not see my blood diluted with the weaklings of the south.” He wiped his blade on part of her ruined silks and let her fall to the floor. He watched as she crawled away, leaving a vast trail of blood across the furs and carpets of his tent. Tarjak might enjoy the softness of the south, but he did not need it. Harshness and hardness had shaped him and his people… at the command of Hall Armath, the Dark Warrior.

Whatever the wizard thought, they would follow the Dark Warrior’s commands. They would be his people: savage, vicious, and harder than the stone of the mountains.

***

Thanks for reading and I hope you enjoyed it!

Echo of the High Kings Book Sale

Echo of the High Kings, Book I of the Eoriel Saga
Echo of the High Kings, Book I of the Eoriel Saga

Just a friendly reminder that you can pick up my book, Echo of the High Kings, on sale this weekend for only .99 cents.  That’s four dollars off the normal price and as a bonus, the next book will be along in only two weeks.  So if you’ve been hesitating to pick it up, you have two great reasons to pick it up today and read it this weekend!  If you’ve already read it, tell your friends about it and let them know!

In Eoriel, the High Kings are legend: rulers who once stood against the darkness and ruled the world for two thousand turns of peace and prosperity. In the long turns since their fall during the Sundering, Eoriel’s civilization has faded. Dark men and darker beings have torn down and destroyed the old works. While some have held out against the grind of history, other places have been reduced to primitive tribes of savages, worshiping dark spirits and demons as their gods.

Yet a spark of hope remains. Some still believe in the old legends, some still fight to restore the old ways, and some will stand against the darkness, in an echo of the High Kings.

Echo of the High Kings

Avengers: Age of Ultron Movie Review (With Spoilers)

I actually saw Avengers: Age of Ultron last week Monday, but I’ve been very busy so I haven’t really had a chance to post what I thought of it until now.  At this point, most of you who read this blog have probably already seen it.  If you haven’t, you should probably skip this review as it will contain spoilers.

The action comes fast and heavy with this movie.  It starts out mid action sequence.  If you’re like me and you watch Agents of Shield, then you had some idea of what was coming.  If not, then they explain pretty well.  Hydra has been doing human research in an eastern european country.  This appears to be their last remaining base (but it is Hydra, so do not hold your breath) and the Avengers take it out pretty readily.

The interesting part comes when we find out that the two surviving test subjects volunteered for the testing.  We get to see Scarlet Witch (never called that in the movie, as far as I can tell), in action as well as her brother, Quicksilver.  As is said in the movie, “he’s fast and she’s weird.”  Scarlet Witch’s power set seems extremely comprehensive, possibly even too powerful.  She’s got telekenetics, telepathy, even what might be clairvoyance (she shows Tony Stark a vision of a possible future where the Avengers are defeated).  The same can also be said for Quicksilver (Who we only ever see laid low twice, both being his own actions rather than those of someone else), which works well enough as they fight the Avengers (each of them outclassing the entire team in their own ways), but as they join up with the team, it almost seems too easy.

As for the rest of the cast, we get to see quite a bit more of Black Widow and Hawkeye.  Black Widow comes across as far more human, and vulnerable, than we’ve seen to date.  Her budding relationship with Bruce Banner adds an interesting current to the actions they take as they both try to protect each other… until Natasha realizes that she needs “the other guy” more than she can afford to protect him from that pain and shame.   The dynamic is all the more interesting for the fact that while you can tell that Bruce is attracted and interested, he is also terrified of hurting her in his alter ego as the Hulk.  Joss Whedon did a great job with Hawkeye, showing us his wife and family and then throwing out the red herrings that suggested Hawkeye wasn’t going to make it.  They were subtle, but just heavy enough that most everyone I’ve talked to caught them.  Seeing Hawkeye as a person, with a wife and kids, made him, and by extension the others, more human, more real.

My complaints in this movie come from the theme of hubris, which was pretty much what I was afraid of.  We have seen Tony Stark go to this well over and over and over again.  We’ll presumably see it again in Captain America, Civil War.  I’m tired of it.  We get it.  Tony Stark can be an arrogant ass and make mistakes.  This, in general, seems to be the theme of every one of the Iron Man movies.  I liked those movies… but not as the main plot to Avengers.  Ultron was a mistake.  An avoidable one… which plot apparently required Tony Stark to be an idiot and Bruce Banner (who gods know should know better than to mess with things he barely understands) to go along with him.  They did a good job with the overall execution of this plotline, but it still comes off as… well, lazy.  Comic book lore had Hank Pym (I think) as Ultron’s creator.  Would it have been too hard to throw a cameo his way, since he’ll be introduced in Ant Man in a few months anyway?  For that matter, we’re already swallowing aliens, why not give him an extraterrestrial origin?  Why does everything have to be Tony Stark’s fault?  Basically at this point the character has become severely irritating to me, as he is a character that doesn’t learn.

On to the stuff I did like.  The one-liners and humor was excellent.  The scene where Vision casually picks up Mjolnir was perfectly executed.  Hawkeye’s defeat of the Scarlet Witch when she goes to mess with his brain and his response were equally perfect.  Throughout there was a level of humor and excitement, even when things were the darkest.  The titanic ‘fist bump’ between the Hulk and Stark’s Hulkbuster was both epic from an action perspective and humorous enough to bring a snort of laughter.  The action flowed smoothly enough and was easy enough to follow that I never had to stop and go: wait, what?  Ultron’s nefarious plan was evil genius as expected and while he came off as confused and muddled sometimes, he also was sinister enough to take seriously.

All in all, I thoroughly enjoyed the movie and I’ll probably catch it again while it is still in theaters.  My main complaint was, again, on the origins of Ultron and Tony Stark’s requirement to have his own failures rubbed in his face again and again rather than any issues with the movie itself.  The action, special effects, scope, and characterization were all excellent and at the end, I was left wanting more.

 

 

Upcoming Echo of the High Kings Book Sale!

Echo of the High Kings, Book I of the Eoriel Saga
Echo of the High Kings, Book I of the Eoriel Saga

Echo of the High Kings will be going on sale for the weekend in preparation for the release of the sequel, Wrath of the Usurper.  Echo of the High Kings will be available from 15-17 May for only .99 cents.  So if you’ve been on the fence about picking it up, now you’ve got no reason to hesitate.

In Eoriel, the High Kings are legend: rulers who once stood against the darkness and ruled the world for two thousand turns of peace and prosperity. In the long turns since their fall during the Sundering, Eoriel’s civilization has faded. Dark men and darker beings have torn down and destroyed the old works. While some have held out against the grind of history, other places have been reduced to primitive tribes of savages, worshiping dark spirits and demons as their gods.

Yet a spark of hope remains. Some still believe in the old legends, some still fight to restore the old ways, and some will stand against the darkness, in an echo of the High Kings.

Echo of the High Kings

Wrath of the Usurper Coming Soon!

Wrath of the Usurper, Book II of the Eoriel Saga, will be coming at the end of the month to Amazon and in July to Audible.com and Itunes as an audiobook.

Civilization is dying.

The lands of the Five Duchies are in chaos. They are leaderless and each land stands alone. Besieged by barbarians, savages, fell beasts, and infighting, few doubt that the end times are upon them.

Yet all is not lost. In the East, Lady Katarina Emberhill has begun an uprising against the Usurper and those who follow her carry relics from the time of the High Kings. In Boir, Lord Admiral Christoffer Tarken forges alliances and defend his lands. And in the Eastwood, powers that have been silent for eons are stirring and turning their eyes to the outside world.

But the key is the Usurper Duke, a man drawn to savagery and battle. His victories in his personal war against the Armen have swelled the ranks of his army. Who will draw the wrath of the Usurper: will he turn it against his own rebellious people or levy his forces against the threats to all civilized men?

Check back here soon for samples/snippets, cover art and more!

Review: Larry Correia’s Son of the Black Sword

Son of the Black Sword by Larry Correia
Son of the Black Sword by Larry Correia

I’m a big fan of Larry Correia’s books in general, so when I had the opportunity to snag his upcoming epic fantasy book, the first of a new series, I bought it with little hesitation.

I’ll note here that I read an electronic Advanced Reader Copy (eARC) through Baen’s website. So I’m not going to comment on grammar or editing issues, I’m just going to talk the story.

This is a solid book. Larry Correia has created a deep world with complex issues. I’ll say right here that it is not a world I would want to live in. It is a world filled with petty tyrants, a caste system restrictive enough to get violators killed, and an overreaching bureaucracy that tries to control everything and only seems to succeed in making peoples lives miserable.

Into this world are cast a number of characters. Some good, some bad, some heroic with tragic flaws and others self-interested yet still willing to help others out. The main character is very remenicent of Agent Franks from Larry Correia’s Monster Hunter series and even more so of his Clan Crab character from his Legend of the Five Rings RPG write-up. Ashok Vadal is as much of a weapon as the sword he carries. Yet underneath that, something troubles him, dreams and visions of things that make no sense to him. He fights evil unquestioningly, until something forces him to reexamine what evil really means.

The entire book is a great read. Lots of action and adventure and just enough world-building spread in so that you get the grasp of a full, living world, without getting bogged down in the details. I highly recommend it.

Publisher’s Blurb: After the War of the Gods, the demons were cast out and fell to the world. Mankind was nearly eradicated by the seemingly unstoppable beasts, until the gods sent the great hero, Ramrowan, to save them. He united the tribes, gave them magic, and drove the demons into the sea. Yet as centuries passed, Gods and demons became myth and legend, and the people no longer believed. The Age of Law began.

Ashok Vadal has been chosen by a powerful ancient weapon to be its bearer. He is a Protector, the elite militant order of roving law enforcers. No one is more merciless in rooting out those who secretly practice the old ways. Everything is black or white, good or evil, until he discovers his entire life is a fraud. Ashok isn’t who he thinks he is, and when he finds himself on the wrong side of the law, the consequences lead to rebellion, war—and destruction.

Links:

Son of the Black Sword (Amazon)

Son of the Black Sword (Baen ebook)

Review: David Weber’s Sword of the South

David Weber's The Sword of the South.
David Weber’s The Sword of the South.

David Weber’s new Epic Fantasy novel, Sword of the South, is up on Baen’s websubscriptions and I picked it up last week for some ‘light’ reading.  I thought that I’d do a review of it, to give my impressions.  I’ll preface this by saying that I read an eARC of this book.  It’s not the complete version and it still has some editing to be done.   Therefore I’m not going to nitpick grammar and such.

I’ve been a long time fan of David Weber’s fantasy series, starting with Oath of Swords and then leading into The War God’s Own, Windrider’s Oath, and culminating in War Maid’s Choice.    If you haven’t read the series, you should.  It’s excellent.  The stories are, much like most of Weber’s, rich and interesting with detail, well orchestrated, and while the good guys don’t always get a happy ending, the bad guys generally come to bad ends.

The Sword of the South is, as far as I am aware, the start of his main epic.  The other four books were designed to be the opening act, as it were, much like Tolkien’s The Hobbit was to Lord of the Rings.  The clash between the powers of Light and Darkness is begun.  From the very first pages, you get the feeling that the stakes are higher and that the costs may be far higher than the previous books.  Since the previous books saw the deaths of beloved characters, this generally means that no one is safe.  The Sword of the South is also written so that a new reader, someone unfamiliar with the series, can start here without issue, while still rewarding long-time readers with inside jokes and references to events in humorous fashion.

The premise of the book is simple enough, retrieve a powerful weapon from an evil sorceress and defeat her minions along the way.  In execution, there are a number of complications, with master assassins, arch-wizards, demons, and dragons all getting involved.  This book gives a much broader picture of the world in some ways, filling out some of the details that the reader might have been interested in from the other books.  In some ways, though, this book feels… incomplete.  Almost as if this were a sideshow in the larger overall events that David Weber has scripted to come later.  The mission is, without a doubt, essential, in more ways than one.  Indeed, in many ways the journey seems as important as the mission, but while I came away eager to read the next installment, I also came away at the end with a feeling that a little too much remained unresolved.

Characterization is excellent.  Several characters from the other books are here, to lesser or greater extent.  Some time has passed (I won’t say how much, because that’s part of the plot, actually), and it is good to see how characters have grown or matured from their experiences.  As a reader, I found it wonderful to see the payoff of how characters had progressed and grown (and also to see some guesses confirmed).  The new characters held their weight, none of them overshadowed by the stories and personalities of the others.  David Weber did an excellent job of making even some of the villain’s motives and motivations understandable… even while showing that they had gone too far.

Later on in the book, however, I did have a few issues with changes of perspective.  At times the perspective in a scene will change from one character to another from one paragraph to the next and then back.  This left me with a sense of whiplash, trying to figure out who was thinking what.  This might be something they’ll edit before the final release, but in one particular case it was not only hard to follow, but left me feeling as if I had missed something.  Very slight spoiler: In some scenes there is a character who is under another guise.  The other characters knew this character by a different name, but in the changes of perspective it would go from the disguised character’s actual name and thoughts, to another character who didn’t know the character’s true identity, and back, sometimes multiple times in a scene.

In all, I enjoyed the book and I’m eager to read the next.  It was excellent to get to see some of the promises made in the earlier books finally fulfilled and I can’t wait to see how the further books in the series progress.  If you haven’t read any of David Weber’s fantasy series, you should get started!

Here’s the publisher summary:

A#1 in a NEW EPIC FANTASY SERIES by 28-times New York Times and international best seller David Weber, set within his Bahzell Bahnakson/War God universe. A swordsman who has been robbed of his past must confront an evil wizard with a world at stake.

Know thyself. Its always good to know who you are, but sometimes thats a little difficult.

Kenhodan has no last name, because he has no past . . . or not one he remembers, anyway. What he does have are a lot of scars and a lot of skills some exhilarating and some terrifying and a purpose. Now if he only knew where he’d gotten them and what that purpose was . . . .

Wencit of Rūm, the most powerful wizard in the world, knows the answers to Kenhodan’s questions, but he can’t or won’t share them with him. Except to inform him that he’s a critical part of Wencit’s millennium-long battle to protect Norfressa from conquest by dark sorcery.

Bahzell Bahnakson, champion of Tomank, doesn’t know those answers and the War God isn’t sharing them with him. Except to inform Bahzell that the final confrontation with the Dark Lords of fallen Kontovar is about to begin, and that somehow Kenhodan is one of the keys to its final outcome.

Wulfra of Torfo doesn’t know those answers, either, but she does know Wencit of Rūm is her implacable foe and that somehow Kenhodan is one of the weapons he intends to use against her . . . assuming she can’t kill both of them first.

But in the far northern port city of Belhadan, an eleven-year-old girl with a heart of harp music knows the answers to all of Kenhodan’s questions. . . and dares not share them with anyone, even the ancient wild wizard who loves her more dearly than life itself.

It’s not easy to face the future when you can’t even remember your own past, but if saving an entire world from evil sorcerers, demons, devils, and dark gods was easy, anyone could do it.

For those of you wanting to find the other books in the series or the book itself I’ve listed them in order with links:

Oath of Swords

The War God’s Own

Wind Rider’s Oath

War Maid’s Choice

The Sword of the South

The Sword of the South eArc

Kal’s Liberty Con 2016 Schedule

For those of you going to LibertyCon, I’ve got my schedule.  This will be my first year attending and I’m really excited to be there.

Day Time Name of Event
Fri 04:00PM What’s new in Space Opera?
Fri 05:00PM Opening Ceremonies
Fri 10:00PM Author’s Alley
Sat 02:00PM Author’s Alley
Sat 08:00PM Reading: Thomas Mays & Kal Spriggs
Sat 09:00PM What’s New in Epic Fantasy?
Sun 10:00AM Kaffeeklatsch
Sun 01:00PM Author’s Alley

 

Hopefully this will only be the first of many years in attendance.  I’m not sure yet what I’ll bring to the reading, but if anyone has any requests, feel free to comment here or on my FB page.  I’ll also have copies of my books on me for signing for those of you who prefer paper to ebooks.  I’m told that they’re almost sold out of memberships for LibertyCon, so if you haven’t got your tickets yet and you plan to attend, hurry and get your membership.

Who’s This Hugo Guy Who Made Everyone Angry?

As a number of people have been religiously watching, posting, counter-posting, fisking, counterfisking, and generally stirring the pot, I thought I’d give a broad strokes overview of what’s going on for those of you who haven’t been watching this unfold from early on.  I won’t use the acronyms which seem to have pervaded everything (SMOF, CHORF, etc), mostly because as a vet, I hate acronyms.  If you were like I was, when I first heard about Sad Puppies 1, then your first response to it all might well be: “Hugo Award, they’re still giving those out?  I thought they stopped that decades ago.”  If you’ve read some of what people are posting, they seem to think that we’re all madmen (probably emphasis on ‘men’ and some statement about racism, misogyny, and general bigotry), who have seized the controls of the Starship Hugo and are taking us off to who knows where.

That response is a product of how the award had become a treasured prize given between a relatively small group or one might even say ‘cabal’ of friends, associates, and those who quietly maneuvered to make certain that the ‘right’ people were the winners for some time now.  Sadly, as a result, the Hugo has gone from a treasured award to a rubber stamp of approval from the cabal of group-think.  The last Hugo award winning book I remember reading (and only because it had seals all over it) was Orson Scott Card’s Ender’s Game.  Looking at the past winners over the last 30 years, you start to notice a pattern (here’s a convenient list of the Best Novel winners/nominees, courtesy of Wikipedia) and that pattern becomes pretty clear from about 2005 onwards.  There’s occasionally a very popular book/author that makes it onto the final nominations and sometimes even wins.  George RR Martin, Lois McMaster Bujold, and JK Rowling all fall under these parameters… as authors who are talented and popular, but they’re the exceptions rather than the rule.  Very thorough people have gone through and noted where other authors have been blocked out in years past, seemingly by the same group of people who have passed the award around for the past decade or more.

Then there’s a slew of other authors who I have to scratch my head at.  No wonder I didn’t hear about the Hugo when some of these fellows won, I’ve never seen their books or if I did, they were so utterly unmemorable that I didn’t bother to even remember seeing them.  Then again, if you’re like how I was, it’s easiest to shrug.  I mean, who cares about the award, then, if it’s going to people who don’t write very entertaining or interesting stuff?  Well, you see, the problem is that the Hugo Award, purports itself to be the award for the “Best” science fiction.  Not only that, but by general decree, it is open to all members of Worldcon… This makes it a bit awkward when the award becomes the prize of a small, select group.  I mean, the convention has been going on since 1939 and it claims to exist for science fiction in general… so why is it that a relatively small group of people have control over it?  Certainly it wasn’t talked about or discussed, these people, the cabal, operated from behind the scenes.  They likened themselves to puppet masters with terms like “Secret Masters of Fandom” and they quietly considered themselves the kingmakers.  These people were driving the Hugo Awards into the ground.  When general fandom can’t even recognize the names on the final ballot… what is the point of voting?   When the victorious works are either so abstract as to be obtuse or so message laden that they have no story, no pull, then what is the point of reading them?  Worse, when they became a token of popularity and group-think within the cabal which controlled it, then what prestige does that have to general fandom?

Why does this matter?  Well, way back in Sad Puppies 1, you can see that some people thought it was kind of bullshit that authors who had written some excellent stuff had not only never even made the ballot, but had pretty much been told by those in the know that they never would make the ballot.  They didn’t write the the ‘right’ kinds of stories, they weren’t published by the ‘right’ kinds of people.  This kind of thing irritated a number of people and so Larry Correia, the International Lord of Hate, stepped up and started the campaign.  His goal wasn’t to win, his goal was to show that there was a bias, that some people did quietly have the controls, and that it was possible for non-cabal authors and fans to organize as well.

The backlash from Sad Puppies in 2013 drew quite a bit of attention.  Larry Correia is possible one of the nicest authors I’ve had the pleasure of meeting.  He’s a big, friendly, teddy-bear of a guy… until you start throwing names at him, accusing him of being a wife-beater, etc.  Larry became target number one for these people and that has continued to this day.  Attacks on his character have gone well beyond the point of criticism and have devolved into accusations and profanity.  There’s enough general hatred of him from the people who controlled the Hugos that if you could generate electricity from it we would no longer need oil, gas, or coal.  See, Larry supports sustainability, he’s just trying to create energy from all the exploding heads.

Sad Puppies 2 was born out of that backlash, as a number of other authors and fans saw how Larry was treated as a result.  Sad Puppies 2 successfully got several people onto the ballot for the Hugo… and people lost their goddamned minds.   This is when the media stepped in, and terms like ‘libel’ and ‘slander’ started getting brought up.  The people who had control had been challenged and their control slipped enough that it was perilously close to failing.  So they started getting angry.  The masks came off and it became a tide of angry, nasty, abuse that they threw at those who had dared to defy them.  In doing so, they made the people they attacked angry enough to speak out.  They also showed that they think the award is for them and the ‘right’ people that it wasn’t about the quality of writing or work.

So here in 2015 Sad Puppies 3 is the result.  General fans organized and weighed in on who and what should win.  The end result is that the voting block came into the open.  Fans really care enough about what is ‘best’ in writing to weigh in on the award for the Best in Science Fiction.  The Hugo, in the process, has come back to having some value and meaning.  Where this all became so nasty, though, was when the people who the cabal expected to see on the final nominee list didn’t get their notifications ahead of the public announcement.  As a result, before it even went public we had people raving about how the Sad Puppies and Rabid Puppies (more on them later) had hijacked the ballot and the world was ending.  Not long after it went public we had people such as John Scalzi stating that they would rather vote “no Award” than give the award to people (not works, mind you ‘people’) that didn’t merit the award.  Voting “No Award” is their attempt to ensure that if their  people can’t get the award then no one can.

And then there’s “Rabid Puppies” which is run by Vox Day.  The “Rabid Puppies” movement has it’s inspiration in Sad Puppies, but is not connected.   I’m not going to weigh in on his politics, religion, outlook, or philosophy.  None of that really matters in this, right?  It’s about the quality of the work, or at least that’s what everyone used to say about the Hugos.  Vox Day, just with his own fans and followers, managed to snag quite a big chunk of nominations.  Clearly his fans cared enough to shell out the membership fees for Worldcon to get him on the ballot, what this says about his writing, I’ll leave to others to say.  I haven’t read his stuff, so I am not qualified to say.

Who I have read is Jim Butcher, Tom Kratman, Brad Torgerson, Ceder Sanderson, Amanda Green, Jim Minz, and Toni Weisskoph.  I’ve enjoyed their posts, stories, and editing.  I was excited to hear about their successes and I’m just as excited to hear who gets the award… because these are real people who have written or edited things worth reading.  For the first time in a while I actually care who gets the award and just seeing the chatter on various outlets, I can tell that lots of other people feel the same way.  This is the end result of people caring about the award again.  And for all the filth that people are saying about those who have supported Sad Puppies… it just shows that they don’t like to be challenged.  Why is that?  Probably because they know that they can’t win in a fair fight, so they resort to nasty rumors, awful accusations, and emotional declarations that have little base in reality.

We haven’t hijacked the Hugo Awards… we’ve just seized the controls from the madmen who were diving us towards the ground.