Tag Archives: spoiler

The Force Is With Me: Star Wars Rogue One Plot & Characters Review (SPOILERS!)

rogueone_onesheeta_1000_309ed8f6Now that Rogue One has been out for a while, I felt it is finally time to write an analysis of the characters and plot of the latest Star Wars installment.  Few people can deny that this is the prequel that captures the spirit and feel of Star Wars (those who do are entitled to their opinions, but the rest of us seem to think it’s great).

As a note, I’m adding some filler here just to make certain anyone who wants to avoid spoilers won’t have anything spoiled.  *Spoiler Warning: The rest of this review will delve into some plot and character details*

While Rogue One is a fast, exciting, and tension-driven war movie set in the Star Wars universe, the beginning is something of a mess.  There’s no opening crawl, a decision made to thematically separate the movie from the space opera feel of the others.  It arrogantly states, “We don’t need to tell you what’s happening, pay attention and we’ll show you.”

Which is all well and good, except at the very beginning it jumps around from planet to planet and through time rather quickly.  If you aren’t paying attention (and possibly even if you are, you’ll have no clue what’s going on right up until Jyn Erso is sat down at the Rebel Base on Yavin 4 when they explain everything through exposition.

It’s sort of like they made the decision not to have an opening crawl and then decided, “Crap, we need to slip it in, we’ll just have some characters explain it all.”  Which is fine.  We get some time to meet some of the characters, to establish Captain Cassian, Jyn Erso, and to see that the Director Krennic is kind of an asshole.  Still, it feels like they could have done a bit more showing than telling, but it’s a style choice that works, despite being a bit silly in some regards.

Moving on, we’ve got the Imperial defector, Bodhi who gets captured by an apparently unhinged Saw Gerrara, the leader of a splinter faction of rebels on the planet of Jedha.  Bodhi is carrying a warning about the Death Star, sent by Jyn’s father, Galen Erso.  Now this is another area where I feel the film sort of loses it’s course.  Saw is an enigmatic character, who seems to have lost touch with reality, one moment being helpful and the next… well, the next he’s accusing Jyn of being there to kill him.  It doesn’t make a terrible lot of sense, and there’s so much odd stuff about Saw that we’re left wondering: what’s up with his legs, how was he injured, why exactly has he lost it, why did Jyn’s father trust him with his daughter’s life?

We can extrapolate a lot of this, but it’s all distracting from the overall plot for a character who gets killed so early in the movie.  There might have been some wider idea for the character in other outlines for the film, but what we’re left with is sort of a box of crazy that distracts overall.  His splinter group of rebels, on the other hand, fits in very well with the overall “dirty” theme of the movie.  Not all of the rebels are going to be idealistic, kind-hearted folk like Luke Skywalker and Leia.  Saw’s rebels are scary and violent, opening fire on the Empire in a crowded market place and using grenades indiscriminately.

The torture of Bodhi, the Imperial defector sort of serves that point too, but it feels like another rabbit hole at the same time.  The Bor Gullet seems like a random thing to throw in there, particularly when it’s stated power didn’t seem to convince Saw Gerrara of anything.  And the “madness” that it caused didn’t seem to last long enough to serve any plot point.  Mostly it leaves you with some confusion about what the thing is and how it does what it does… then it’s gone.

Rolling onwards, we see the rivalry between Moff Tarkin and Director Krennic, which culminates in Krennic utilizing the Death Star to obliterate the rebellious city and the old Jedi Temple in a display of the Death Star’s potential.  This is a fantastic scene for a number of reasons, many of them fairly subtle.  We see the casual disdain for life that the Empire’s senior officers hold, where Krennic feels nothing but relief that his weapon worked and then anger that Tarkin steals the credit.  We see Tarkin’s arrogance in how he only cares about how the Death Star will improve his standing with the Emperor.  All the other Imperials just seem to want to lick up scraps of power from the two officers, their shock at the destruction turning to support for Tarkin as Krennic is sent scurrying to plug security leaks that made him look bad.

The “beautiful” comment from Krennic is particularly good as it shows that he has an appreciation of beauty, yet lacks any morality to consider that he just killed thousands, possibly millions, of people.

In a not-so-subtle detail, the Death Star eclipses the sun for the city, circling in an orbit that blocks out the light to the planet just before it obliterates the city.  It’s an ominous omen, one that sets the viewer on edge as they realize what’s about to happen.

Another subtle detail is that, unlike Alderaan, we actually see the place they destroy.  The audience sees Jyn Erso rescue a young girl in a firefight on the streets, delivering the child to her mother.  That girl, her mother, and everyone else in the city is annihilated.  We don’t see their last moments, but we see the city vanish in a cataclysmic explosion that also kills off Saw Gerrera and his rebels.

The main characters barely escape, witnesses to the terrifying might of the Empire.  They also come to the decision to go to rescue (well, Captain Cassian is there to kill) Galen Erso, after Bodhi gives them the location to find him.

Their travel to Galen’s research facility is an excellent use of characterization.  We see the different characters play off one another.  Chirrut and Baze were earlier introduced well and their few words in this scene establishes them further.  Chirrut is obviously a force sensitive, not a Jedi, but in tune with the Force.  Baze is cynical, but his bond with his friend is strong, showing that there’s some depth to his character.  The way they address the destruction of their home is subtle but strong.

The interaction and chemistry between Cassian and Jyn also works well.  Cassian, dark a character as he is (lets face it, he shot a former friend in the back at the start of the movie), wants to believe in Jyn, but at the same time he’s determined to follow orders.

The battle at the research facility is fantastic.  Confusion between Cassian’s superior and the team sets up a series of mistakes that results in the rebels bombing the facility, killing Galen in the process.  Cassian is given a moment to kill Galen, but decides to trust Jyn instead, only to see a rebel Y-Wing blow up the platform anyway.  We get to see Bodhi, Chirrut, and Baze all do what they do, all in interesting ways.

The rest of the movie moves along with an inevitable feel.  The rebel council reject an attack to seize the Death Star plans.  The main characters decide to go anyway and Captain Cassian comes forward with a grizzled host of warriors who volunteer for the mission.  Without going into detail, he establishes them as desperate, hardened fighters and they look and act the part.

The final fight is a chaotic mess and in that they do a fantastic job of capturing the feel of combat.  The rebel plan goes well enough as Cassian, K2, and Erso infiltrate the facility.  I had a moment of eye-rolling as the unshaven Cassian walks around in an officer uniform, but other than that, the scenes play out well.  The firefight kicks off, many of the rebels knowing that they’re going to die just to create a distraction and buy time for Cassian and Jyn.

The firefight kicks off, quickly becoming a mad scramble as more and more Imperials flood the area, an entire garrison against a handful.  We get a moment of excitement as the rebel fleet goes to help… but that’s dampered by the fact that the rebel arrival results in the closure of the shield gate, trapping Rogue team on the planet.

At this point, every character seems to realize there’s no escape and the movie does a fantastic job of showing that realization.  Every one of them reacts in a different way.  Bodhi is shaken, almost panicked.  Chirrut seems to accept it.  Baze scowls.  Jyn and Cassian are all about how to accomplish the mission.  It’s a fantastic bit of storytelling that sells the characters even more.

As an observer, I’ve got to say that it’s the second time that the rebels seized defeat from the jaws of victory (the first being where they kill Galen Erso with a bomb when he would have known best how to destroy the Death Star).  Granted, there’s no guarantee that Jyn and Cassian could have got the plans out of the facility, to the shuttle, and then escaped, but they aren’t left with that option as the fleet arrives and the Imperials close the shield.

At this point, characters begin to die.  K2 goes first, the quirky and humorous droid going out in a poignant fashion, saving Cassian’s life and doing his duty to the last.  With the realization that they need to transmit the plans, Bodhi has to get a message out, setting up a sequence of events where a transmission switch needs to be activated in the middle of a firefight.

rogue-one-star-wars-baze-malbus-chirrut-imwe-death-scenes-218390-640x320Chirrut by far has the standout scene here, chanting “I am one with the Force.  The Force is with me.” As he walks through blaster fire to activate that switch, in a scene where every other rebel who tried was cut down.  This scene is fantastic and as he blindly flips the switch, only to be blasted the next instant, we’re given both a heroic moment of self sacrifice and a gut-wrenching blow as a character we’ve grown to enjoy dies in his moment of triumph.

Bodhi transmits to the rebel fleet to prepare for the data transfer, but then he dies a moment later as a stormtrooper grenades him.  It’s a quick, abrupt death, Bodhi not even having time to say anything before his shuttle explodes.  Yet he’s done his job, he got the message through.

Then we come to  Baze.  Here he has an excellent moment, where his faith in the Force is restored as his longtime friend, Chirrut, dies.  This crowning moment results in Baze taking up his friend’s chant… only to kill a few enemies and die to a random grenade.  In my mind, it’s the one flaw to he end sequence.  Baze should have either died with his friend or had some suitably essential role.  His death as it is is just sloppy.

We’re then back to Jyn and Cassian, the latter who has a brush with death.  Jyn sets up the dish to transmit, nearly dying in the process.  She gets to confront Krennic, Cassian saves her, and she transmits the data to the fleet, not even knowing if they received it. Then she and Cassian stumble out of the facility just as Moff Tarkin fires the Death Star.

Krennic’s death is appropriately ironic, dying from his own creation, given just enough time to realize it and then vanishing.  Jyn and Cassian have a heartbreaking moment, long enough for them to say that they did the right thing, that they gave the rebellion a chance, a bit of hope, before they perish.

Then Vader arrives.  His star destroyer smashes several rebel ships as they try to escape, and he boards the rebel command ship to regain the plans.  His scene where he appears in the corridors is again, excellent.  The tension and terror is raw.  This isn’t a scene where the death of these nameless rebels doesn’t matter.  They’re dying as one of their number tries to get the plans to safety.  It’s a brilliant scene because, like their compatriots on the planet, they know they’re going to die.

The last bit of the movie, as the plans are passed off was done perhaps a little too smoothly.  I see some logic issues with the command ship having the Tantive IV docked inside it for the entire battle.  Couldn’t they have used that firepower in the battle?  For that matter, why not have a last desperate transmission… and why didn’t Vader’s star destroyer block it’s escape?  We know it’s got to have the plans in A New Hope, but couldn’t they have showed that in a less orchestrated fashion?  It’s a small thing, but it disrupts what is an otherwise fantastic ending, giving us a “feel good” for all that the characters all died before the movie really ended.

Thematically, the film is an odd mix of darkness filled with hope.  The rebels really are fighting a desperate battle against tremendously long odds.  They’re always outgunned, always on the run, they are never safe… yet they fight on.

The movie gives fantastic depth to the older movies.  Rewatching them afterwards, there’s far more impact as rebels die, knowing that each of them has their own story and seeing the terrible cost to the rebel alliance for each victory.

Rogue One is a fantastic story.   It’s a fitting prequel, the prequel that many fans wanted from the beginning.  This is a tragic story, one about normal people caught in a terrible time.  Yet at the same time, the characters exhibit some of the best traits of soldiers and humans in general, exhibiting faith, self-sacrifice, and loyalty unto the end.

There’s some flaws overall, but those are small things, minor imperfections in an overall fantastic movie that had excellent characterization and a powerful message of hope.

 

 

 

 

 

Avengers: Age of Ultron Movie Review (With Spoilers)

I actually saw Avengers: Age of Ultron last week Monday, but I’ve been very busy so I haven’t really had a chance to post what I thought of it until now.  At this point, most of you who read this blog have probably already seen it.  If you haven’t, you should probably skip this review as it will contain spoilers.

The action comes fast and heavy with this movie.  It starts out mid action sequence.  If you’re like me and you watch Agents of Shield, then you had some idea of what was coming.  If not, then they explain pretty well.  Hydra has been doing human research in an eastern european country.  This appears to be their last remaining base (but it is Hydra, so do not hold your breath) and the Avengers take it out pretty readily.

The interesting part comes when we find out that the two surviving test subjects volunteered for the testing.  We get to see Scarlet Witch (never called that in the movie, as far as I can tell), in action as well as her brother, Quicksilver.  As is said in the movie, “he’s fast and she’s weird.”  Scarlet Witch’s power set seems extremely comprehensive, possibly even too powerful.  She’s got telekenetics, telepathy, even what might be clairvoyance (she shows Tony Stark a vision of a possible future where the Avengers are defeated).  The same can also be said for Quicksilver (Who we only ever see laid low twice, both being his own actions rather than those of someone else), which works well enough as they fight the Avengers (each of them outclassing the entire team in their own ways), but as they join up with the team, it almost seems too easy.

As for the rest of the cast, we get to see quite a bit more of Black Widow and Hawkeye.  Black Widow comes across as far more human, and vulnerable, than we’ve seen to date.  Her budding relationship with Bruce Banner adds an interesting current to the actions they take as they both try to protect each other… until Natasha realizes that she needs “the other guy” more than she can afford to protect him from that pain and shame.   The dynamic is all the more interesting for the fact that while you can tell that Bruce is attracted and interested, he is also terrified of hurting her in his alter ego as the Hulk.  Joss Whedon did a great job with Hawkeye, showing us his wife and family and then throwing out the red herrings that suggested Hawkeye wasn’t going to make it.  They were subtle, but just heavy enough that most everyone I’ve talked to caught them.  Seeing Hawkeye as a person, with a wife and kids, made him, and by extension the others, more human, more real.

My complaints in this movie come from the theme of hubris, which was pretty much what I was afraid of.  We have seen Tony Stark go to this well over and over and over again.  We’ll presumably see it again in Captain America, Civil War.  I’m tired of it.  We get it.  Tony Stark can be an arrogant ass and make mistakes.  This, in general, seems to be the theme of every one of the Iron Man movies.  I liked those movies… but not as the main plot to Avengers.  Ultron was a mistake.  An avoidable one… which plot apparently required Tony Stark to be an idiot and Bruce Banner (who gods know should know better than to mess with things he barely understands) to go along with him.  They did a good job with the overall execution of this plotline, but it still comes off as… well, lazy.  Comic book lore had Hank Pym (I think) as Ultron’s creator.  Would it have been too hard to throw a cameo his way, since he’ll be introduced in Ant Man in a few months anyway?  For that matter, we’re already swallowing aliens, why not give him an extraterrestrial origin?  Why does everything have to be Tony Stark’s fault?  Basically at this point the character has become severely irritating to me, as he is a character that doesn’t learn.

On to the stuff I did like.  The one-liners and humor was excellent.  The scene where Vision casually picks up Mjolnir was perfectly executed.  Hawkeye’s defeat of the Scarlet Witch when she goes to mess with his brain and his response were equally perfect.  Throughout there was a level of humor and excitement, even when things were the darkest.  The titanic ‘fist bump’ between the Hulk and Stark’s Hulkbuster was both epic from an action perspective and humorous enough to bring a snort of laughter.  The action flowed smoothly enough and was easy enough to follow that I never had to stop and go: wait, what?  Ultron’s nefarious plan was evil genius as expected and while he came off as confused and muddled sometimes, he also was sinister enough to take seriously.

All in all, I thoroughly enjoyed the movie and I’ll probably catch it again while it is still in theaters.  My main complaint was, again, on the origins of Ultron and Tony Stark’s requirement to have his own failures rubbed in his face again and again rather than any issues with the movie itself.  The action, special effects, scope, and characterization were all excellent and at the end, I was left wanting more.

 

 

Mila Kunis Falls A Lot (Jupiter Ascending Movie Review, Part 2 Spoilers)

Jupiter Ascending
Jupiter Ascending

With part 1 of this review, I kept it as spoiler free as I could.  However, I think the movie warrants a bit deeper look, both from the perspective of what they did right and also from all the stuff they got very, very wrong.

Starting off… the plot was about as easy to follow as a bucket of marbles thrown into the air.  The basic premise was easy enough: Jupiter is the heir to vast wealth to include the Earth and all its inhabitants.  The people who want that wealth want to either kill her or control her.  Simple, right?  But Jupiter isn’t just the heir, she is the person who wrote up that will.  According to the (twisted) logic that genetics make someone royal, since she has the same genetics as the royal who wrote the will, she is that person.  Which bogs down in any number of ways, to include the basic premise that they seeded Earth to produce genetic variance (IE, to prevent the same genetics from coming up and causing the problems they had with clones).  On top of that, several characters comment how her actions, behaviors, even word choices, are so similar to the person that they knew some endless centuries ago.  It seems like they wanted some  pseudoscience way to say reincarnate or reborn without, well, you know, actually saying something like that.  Saying that someone’s behavior, attitude, word choice (conveniently these super-advanced humans all speak english and have had no lingual drift over millennium), and all the rest are all entirely dependent upon genetics is not only doing a disservice to the concept of free will, but is patiently false.

Going on from there, the original heirs, Jupiter’s children, but not this Jupiter, it’s the other one who died long ago, all have their own plots going.  We see early on with Balem (best villain in the movie, probably some of the best acting in general), wants to kill his mother (again!), to prevent her from ascending and claiming Earth.  Titus pretends to want to stop the trade in the anti-aging drugs, but actually wants to marry Jupiter (his mother, ew), and then kill her to take her claim to Earth.  Kalique the lone daughter, has some rather more bizarre plot wherein she subverts Balem’s bounty hunters, imprisons Jupiter, tells her how she wants to be friends, and then promptly disappears from the story.  You’re left not knowing if Caine (Jupiter’s protector/love interest) really blindsided her and caused her to bow out or if she really wanted to help her.  Basically no resolution there.

In the process we have Jupiter who starts out with a miserable life of scrubbing toilets and dreaming of something better, who finds out she can have something better.  This kind of cinderella story can definitely work, so long as the protagonist seizes this opportunity and moves on from there.  As characters go, however, Jupiter seems to spend a lot of time being confused and then standing around waiting to be rescued.  The one point in the movie where she actually stands up for herself and takes action should have been a triumph… but instead it was just a brief pause in her falling from high places.

And as far as that goes… good lord.  I know they have a neat technology/doohickey, but seriously, this felt like a situation where the only tool they had was a hammer so they had the main character fighting a lot of nails.  The fall sequences were all gorgeous, (the whole movie was, for that matter), but once or twice is more than enough to showcase that Caine could swoop along on his gravity boots and save her.  I’ve seen analysis of the movie where someone clocked in a total of 25 minutes of footage of her falling.  That is almost a quarter of the movie spent with her in free-fall.

Characterization was done sort of well with some of the characters.  We had this nice little bit about Caine (Channing Tatum) being a lone-wolf outcast, a genetically engineered soldier, who has every reason to hate the royals but still protects Jupiter.  We also had a nice little subplot where it mentions he ripped ones throat out and so was court-martialed.  A wide opening they had here and that I think they were going to use was with the villain Balem, who all movie talked hoarsely and had his throat covered by his costumes.  Whatever the reason they didn’t use it, it was there and would have made for a nice connection or at least some initial link to why Caine would oppose him.

Balem and Titus both seemed to have their weird love (sick, sick love) and hate relationships with their mother, personified by her reincarnation as Jupiter.  Titus wanted to marry and then kill her, and then Balem admitted to having killed her before.  The general attitude here being he didn’t really want to and has been tormented by the fact that he did, because his mother apparently abhorred her life and begged him to end it.  Balem, who seems to be the main antagonist, at one point says he would harvest the entire planet of Earth before he lets her take it from him, yet we have no sign as to why he feels so strongly… and then at the end of the movie, he’s apparently let her ascend and has yet to make his move, instead trying to manipulate her into signing Earth over in return for her family (and not even bothering to suggest that he’ll let any of them live, only that he’ll kill her family in front of her if she doesn’t sign right now).

This brings us to what was presumably supposed to be one of the main themes with the movie: the harvests.  We are given to believe that human life is of such little value that entire worlds are seeded with populations who then, thousands of years later, are harvested and rendered down into rejuvenating drugs.  Okay, sure, I’ll bite.  This allows the elite in this universe to live essentially forever and they justify this survival basically in that the people on these harvested planets didn’t live very nice lives anyway.  Excuse me, but what?  We get introductions to a number of law enforcing people in the movie both in the form or the Aegis and at a step removed in the Legion through Stinger and Caine.  These people seem to uphold morality codes that suggest that they value individual lives, they go out of their way to protect one another, and they live for duty and to uphold the law.  If their rulers survive from the consumption of billions of people on hundreds of planets, that basically turns them into some of the worst villains in the universe.  If they’re upholding a system that murders countless people for the survival of a few then they can be chalked up in the ranks of genocidal types like Hitler, Stalin, and Pol Pot.

This precious commodity that is required to extend/improve lives has been done so much better in such a less heavy-handed fashion.  Just off hand I can mention Frank Herbert’s Spice, which requires an entire planet’s resources to harvest and costs the lives of many of those who harvest it, is incredibly addictive, and has severe long term effects.  On the other hand, Frank Herbert’s Spice allows for travel throughout the galaxy, extends the lives of those who consume it, and in large enough quantities provides for telepathy and such.   That’s complex, it allows for some conflicts of morality about it’s benefits and costs.

In requiring that this elixir of the Abraxis family murder a hundred people and render them down for one liter is a little absurd.  Basically it’s a plot point that this process needs to be horrible enough that Jupiter will reject it off hand and that even the most cynical movie-goer will have no choice but to agree.  More than that, it becomes a side note in the rest of the movie.  It doesn’t matter what Balem wants with the Earth if he is willing to brutally murder people to get it, that in itself is a sign that he’s the bad guy.  Making him a genocidal nut with a god complex doesn’t make him any more impactful as a character… it actually makes him painfully one dimensional as all he cares about is his own wealth and profit.  It robs us of the why of how he could so hate his mother and the Earth is so important to him and turns it into a sort of “because mine.”  That level of petulance reduces him from terrifying to a mere childish bully with too much power.

On top of that was the conspiracy fodder that was thrown around.  It ranged from the midly irritating such as when Caine says that the powers that be would wipe everyone’s memories, “They won’t get everyone, but no one believes the few they miss.” To the downright immersion-breaking, such as when the ship takes off from the corn-field and leaves crop circles.  Seriously?  Was it meant as a gag or what?  The former implies that people will forget not just the missing day but the hundreds, perhaps thousands of people killed, all with a quick memory wipe.  Let’s not even go into the dinosaur extinction and the rest that they spend precious minutes explaining to no real purpose.

These flaws are all to the worse for the few moments of genuine enjoyment.  I could gush about the visuals and about how the sets and costumes felt interesting… but that would be pointless.  You can watch a trailer and see how good it all looked.  The characters that stuck well were often the side characters, the Aegis (police) who went out of their way to protect Jupiter.  The entire scene with the bureaucracy with Jupiter trying to do her whole ascension thing was not only hilarious but utterly fitting in an empire several million years old.  Jupiter’s manipulative family members provided some of the best comedy “Your cousin is not a chicken, you do not sell her eggs!” Some of the one-liners thrown out by Channing Tatum, Mila Kunis, and others were excellent.  The red herring of having Sean Bean not die was excellent although slightly immersion breaking as the audience kept waiting for it to happen anyway.  There were some brilliant scenes throughout the movie… which just didn’t connect to make anything.  Was it worth watching?  Absolutely.  But it was incredibly frustrating as we would get moments of brief humor and originality which were then buried by rehashed themes from previous movies, painfully heavy-handed exposition, and a mix of heavy editing and a bad script that meant the whole couldn’t fit together into anything remotely coherent.  I really wanted to enjoy this movie, but at the end of the day, it came across as a popcorn flick rather than anything deeper.

Mila Kunis Falls A Lot (Jupiter Ascending Movie Review, Part 1 Spoiler Free)

Jupiter Ascending
Jupiter Ascending

I went into Jupiter Ascending with somewhat mixed expectations.  On the one hand, I already knew that the movie had been delayed for reshoots, re-edits, and stuck in post production for the past six months to a year (thus the delay in release).  I already knew that the protagonist looked a little silly (I think I counted three different occasions of her plummeting to her doom in just the standard trailer).  At the same time, the visual effects, artwork, and some of the concepts just looked stunning.  The action from the trailers also looked pretty solid, with less of the shaky-cam that means you can’t take any time to enjoy the pretty stuff.

After watching the movie I came away with many of my expectations met.  The story is disjointed, the protagonist often seems more like a passenger along for the ride than any kind of influence upon the story, many of the themes were recycled from previous Wachowski movies, and some of the background stuff is pure conspiracy theory fodder that breaks immersion.  On the other hand, the scenery was gorgeous, the technology was suitably advanced and impressive, and there were a lot of great individual scenes (even if they didn’t necessarily connect into some greater whole).  Oh, and yes, Jupiter (Mila Kunis) fell a lot.  I counted at least seven times, though sometimes it’s hard to tell where one falling scene overlaps up with another.

I was absolutely floored by some of the designs.  Some of the side characters felt strong and solid, with back stories and fully fleshed motiviations… while some of the main characters motivations and even actions seemed to have little to do with the overall movie.  I could tell that we were missing scenes and even parts of the plot arc, with characters who appeared and disappeared with no seeming purpose.  There were several sub-plots, too where you could see connections that they almost made… but either they ended up on the cutting room floor or just never fully materialized and I’m not sure which.

Gravity boots, personal shield generators, complex and varied species, and a gruesome (but heavily foreshadowed and easily predictable) secret all made the movie both fascinating and at the same time somewhat frustrating.  There were scenes that were absolutely brilliant and others that just felt like they put them there to explain things to the idiot in the room.  Most frustrating of all, I think, was the parts that were actually very interesting received either a generic explanation (The Aegis, the Legion, what it means to be Entitled and Royal) or no explanation at all (Who the Aegis and the Legion normally fight, what exactly certain powerful people’s motivations are, why certain illegal/criminal actions aren’t punished or investigated, etc).

All in all, it was a fun movie, but I still walked away not quite satisfied.  There was a lot of potential… but also a lot of scenes where they went for flash without substance: something impressive to draw the attention away from the fact that they really hadn’t figured out how they wanted it to really work.  I enjoyed it, but I’m frustrated because there was just enough there to tell me that I could have enjoyed it much more.  The obvious comparison is the movie it was supposed to be released near in 2014: Guardians of the Galaxy.  Both movies feature an Earthling drawn into a space opera where the stakes are billions of lives… and Guardians succeeded with brilliant characterization, a solid plot, and the confidence to poke fun at itself.  Jupiter Ascending’s characters just weren’t on that level, the writing didn’t quite have the chops, and it felt like the Wachoskis were trying to tell the same stories they told before… albeit on a much larger canvas.

Check back for Part II for a more in depth (and spoiler-laden) plot.

Second Star to the Right: Interstellar Movie Review (Spoilers)

From Interstellar: A black hole eating a star
From Interstellar: A black hole eating a star

I’ll preface this by saying that Interstellar is the best movie of 2014 that I nearly didn’t see.  Why did I nearly decide to discount it?  Well, the trailers did a terrible job of telling me what the movie was about.  The trailers made it out (with me reading between the lines) that the movie was about how terrible mankind was that we had destroyed our only home and had to go to space to survive.  Heavy on a message of doom and gloom and without any real ounce of hope, with the thought being we were destined to repeat the process as celestial locusts.  This was not the type of movie I wanted to watch.  Luckily, it wasn’t the movie I got to see.

You see, Interstellar is nothing less than a movie about discovery, adventure, and exploration.  The crew that goes to the stars in this movie are people chosen to do that most dangerous exercise: go someplace new and come back to tell everyone all about it.  They are also the last, best hope for humanity’s survival, so no pressure.  The movie has a slow, building pace where weight is added to every decision and the protagonists are struggling against that most certain enemy: time.

The science of the movie is excellent as well.  Yes, there are liberties taken, but there are also elements and plot twists taken from science and enough ‘what if’ that any science nerds will probably be on the edge of their seats.  Visit a planet in close orbit around a black hole and have time dilation wipe out twenty three years in an hour.  Also, get to see the tidal effects upon that lovely ocean planet, and that the woman sent ahead ten years ago died only minutes before your arrival, and just right after her own arrival.  Playing with time is something this movie does incredibly well, along with hints and peeks not only at the movie’s plot, but also at the great potential to be found in humanity.

Some of the best lines in the movie are about human nature and nature itself.  At one point, the characters in space argue about what they might find being more or less dangerous than what they bring with them.  Later on, they are both proven correct when one man is killed by the waves on the first planet they find and another is killed by a human scout sent ahead, who was willing to do anything necessary to ensure his own survival, even if it meant dooming billions of people back on Earth.  The movie manages to capture the stark beauty of space, with apparently scientifically accurate depictions of both black holes and wormholes (see this interesting article).

And too, this movie does very well in capturing the spirit of exploration.  The characters pause in wonder at the sights, caught up in the wonder and excitement of doing and seeing new things, and while they’ll take the time to mention the why or the how, that doesn’t rob the moment of it’s beauty.  The characters are very much explorers, having little idea of what they’re going to discover, building upon what they learn and finding ways to use that knowledge to survive.  They are forced to make decisions based off of their supplies and equipment as well as their limited amount of time.  The weight of those decisions is upon them all and each choice they make is one that comes with a cost.

The movie does have its faults, I’ll admit, and several of them are in the plot-driven variety.  The voyage to the wormhole takes a meager two months, which is incredibly impressive given chemical-powered rockets.  My assumption was that they used a nuclear powered drive and just didn’t want to discuss it in the movie.  The ‘blight’ that seems to be affecting the crops is more of a mysterious force than anything else, though depictions of it as breathing nitrogen suggests either a very odd metabolism or just hand-wavium.  Why this terrible stuff doesn’t follow the evacuees from Earth is another question I asked myself.  Contamination is sort of a given for colonization and transportation.  I mean, we can’t even stop rats from getting to remote islands, how can we stop an apparent super-microorganism that has adapted to attack all manner of food crops?  Also, what did people eat if it killed everything else while they were waiting for their star ships over fifty-plus years?

What the movie does very well is to get it’s point and message across with painful brutality.  The ‘teacher’ at the beginning criticizing the pilot about believing in the moon landings.  The quotes: “Man was born on Earth.  It was never meant to die here.” and “We used to look up and wonder at our place in the stars, now we just look down and worry about our place in the dirt.”  These are statements that paint a bleak (and unfortunately accurate) picture.  We don’t look up at the stars with hope.  Too many people are far more concerned with ‘fixing’ problems here rather than expanding out there.  There will come a day that we are forced to choose between staying here and dying and going out to the stars and surviving.

Overall, I thoroughly enjoyed the movie and I highly recommend it.  It’s a great movie, with gorgeous effects, a powerful theme, and a spirit of wonder that still gets me excited thinking about it.

Big Hero 6: A Review in Oooh Shiny

d8ed22ee860790f58ad96cf0266b861457b9c7ed

Big Hero 6 caught my attention with its first trailer. I don’t normally find myself laughing hysterically at a movie trailer. This movie managed that and the combination of dry humor and silliness seemed like the perfect choice on an otherwise dreary weekend. They did a great job with the trailer, which spread its appeal to both kids and adults. Unfortunately, the trailer probably wasn’t targeted very well.

Let me say this: Big Hero 6 is a great kid’s movie. It has excellent characterization, wonderful visuals, and good moral lessons and choices for kids to enjoy. That said, for an adult, there’s just not much depth. The humor is good, except that they showed the best jokes/gags in the trailer. The story as a whole is a bit too predictable, with the big plot reveals being easily foreseen and the character development being aimed more at young adults than anyone who has already gone through puberty. The whole movie, also, feels vaguely reminiscent of How to Tame Your Dragon.

That said, the characterization and story are well done, the visuals are fantastic. For a kid this movie has everything. The story is engaging, a revenge story where the hero must come to grips with his own emotions and chose justice or revenge. It teaches the importance of responsibility and the potential for redemption. I very much recommend it, especially if you have kids.